Robert Carl with poet Charles Simic, at the premiere of Simic Songs

Sounding and “Muting” sound sculptures for Sounding Sea/Silent Sea

Performing the Ritratto... at FOCAM festival, Washington State U.,
February 2010

Upcoming in 2018:


Sullivan Songs for chorus; Astra Choir John McCaughey director, Church of the Carmelites, Melbourne Australia,  June 10, 2018

Fragile Farewell for piano trio; Entelechron, New York City,  May 29, 2018
White Plains, New York, May 30, 2018

Updraft for trombone and fixed media; Matt Russo, trombone, The Hartt School,  May 22, 2018


100 Views From the Bird's Eye for flute, bass clarinet and piano; Trio Kokako, Santpoort Nord, Netherlands; May 18, 2018


Symphony No. 3, "The World Turned Upside Down" (premiere of complete 3-movement version); Nutmeg Symphony, Marshall Brown, cond.; Burlington, CT, May 12, 2018


Shadow Box for clarinet and piano; Ayako Oshima, clarinet; Hartt School, University of Hartford, West Hartford, CT; May 9, 2018


Piano Quintet, "Search" , ACL-Korea International Music Festival 2018, Seoul, Korea, April 27, 2018


Infinity Avenue for improvising ensemble with live laptop (MaxMSP); Mise-En Place, Bushwick, NYC, April 26, 2018


What's Underfoot for piano, John McDonald, Tufts University, April 4, 2018


Symphony No.6, “Dome of Refuge”*,Hartt Symphony Orchestra (Edward Cumming, cond.), Hartt School, March 30, 2018


Infinity Avenue for large improvising ensemble with live laptop (MaxMSP); Kansas City Art Institute, February 27, 2018





Panel Presenter on overtone structures in time-space, International Sculpture Conference, Kansas City, MO, October 28, 2017


Lecture on Postmodernism in Music, Bard College, October 19, 2017


Jyun On* for two shakuhachis and ichigenkin, Bard College, Hartt School, CRS (NYC), U of Colorado/Colorado Springs, October 2 ,4 ,8, 11, 2017


Masterclass and lecture to UB(Suny/Buffalo) graduate composers, as Featured Visiting Artist, September 29, 2017


Soundscape for installation of Karen McCoy’s seemingly Unconnected Events: The Writing Is On the Wall, Prairie Festival, The Land Institute, September 22-24, 2017


Lecture to Composer’s Symposium, Boston University School, of Music, September 12, 2017


Updraft for trombone and fixed media; Mark Broschinksy, trombone; Mise-En Place, Bushwick, NYC, September 4, 2017


Duke Meets Mort for saxophone quartet, Prism Quartet, Painted Bride, Philadelphia and Le Possion Rouge, NYC, June 3-4, 2017


Fragile Farewell for piano trio, Entelechron Trio, Recording session for CD release; M&I studios, NYC, May 19, 2017


Quantum Dances for clarinet, violin, and piano, Counter)induction; Nimoy Thalia, Symphony Space; NYC, May 13, 2017


Night Garden for contrabass quintet: Hartt Bass Band, Robet Black, cond.; Hartt School, April 23, 2017


Sonatina for Flute and Piano*: Janet Arms & Jesse Goldberg; Hartt School, April 9, 2017


Quintet for Clarinet and Strings*, Ensemble Echappé; American Academy of Arts and Letters, NYC, March 19, 2017


Bullet Cycle for 2 improvising musicians, percussive timekeeper, and fixed media; Ensemble Ipse, Shapeshifter Lab, Brooklyn, March 5, 2017


Infinity Avenue* for improvising ensemble with live laptop (MaxMSP); Real Art Ways, Hartford, Robert Carl and improvising quintet, February 5, 2017


Garland for two celli, Esther Rogers Baker and Brian Donat; The Bakery Concert series, Saranac Lake, NY, January 29 2017


What’s Underfoot* for large ensemble, Foot in the Door, Edward Cumming, cond., U. of Hartford, December 7, 2016


Changing My Spots (version for brass trio*), Ensemble Mise-En, Bushwick, Brooklyn, October 2, 2016


One Slips, One Skips* for violin duo (also for 2 solos); Haddam and Hartford CT, September 9 &1 4, 2016