String Quartet No. 3,"Spatial-Temporal/Abstract-Visceral/Transcendent-Humane" (2020) (25')
NamasteDante for clarinet, bass clarinet, harp, and piano (2021) (5')
Coming and Going for saxophone quartet (2019-20) (3')
A Taxonomy of Silence (10 Mutetudes) (2019) for string quartet or open instrumentation (c.15')
Piano Quartet, "Just Listen" (2018) (15')
Brass Trio, "Threading Space" (2018) [with "semi-fixed" media] (12')
Jyun On (2017) for 2 shakuhachis and ichigenkin (12')
Refiner's Fire (2015) for violin and guitar (12')
Fragile Farewell (2014) for piano trio (5’)
Clarinet Quintet (2011) (22’)
Wind Quintet No.2, "The Birds of Guandu" [with Max/MSP] (c.25’)
Quantum Dances (2010) for clarinet, violin, piano (narrator optional) (15’)
Breaking the Surface for alto saxophone, bass trombone, viola, and cello (2006) (3’)
A Slow Arch flute and string quintet (2006) (12’)
The Wind’s Trace Rests on Waves and Leaves for string quintet (sq +cb) (2004-05) (18’)
Where Sound and Thought Meet (2003) for saxophone quartet (6')
Piano Trio No.2, “The Blossom” (2002) (17’)
String Quartet No.2, “Fear of Death/Love of Life” (2001) (25’)
Coloring Sound’s Scent (2001) for oboe, cello, and piano (8’)
Transcendental Cakewalk (2001) for alto saxophone/Eb clarinet, electric guitar, ‘cello, contrabass, piano, and percussion (7’)
Open (1998) for string trio (18')
The Eternal Bagatelle (1997) for open instrumentation [improvisation] (10'-15')
Villa of the Mysteries (1997) for flute, violin, cello, and piano (19')
Our Meeting is Inevitable (1996) for brass quintet (9')
Bells Dance, Drums Ring (1996) for percussion quartet (7')
Event Horizon (1995) for clarinet, horn, bassoon, violin, and contrabass (15')
A Sampler of the Senses (1994) for viola, 'cello, and piano (9')
Two for Le Nôtre (1993-4) for baroque quartet [flute, viola, viola da gamba, harpsichord (11')
Duke Meets Mort (1992) for saxophone quartet (12')
100 Views from the Bird's Eye (1991) for flute, bass clarinet, and piano (7')
Growing Up (1990) for string quartet (8')*
A Fork in the Road (1987) for wind quintet (10')
Sunburst (1985) for brass quintet and computer-generated tape (8')
String Quartet No.1: “A Path Between Cloud and Light” (1985) (11')
Always Rising (1979) for piano trio (13')
Waterlight (1978) for piano, vibraphone, and glockenspiel (10')
[* Written for young musicians]
Solo instrument with accompaniment or chamber duo
Splectricar (2021) for electric guitar with digital processing (2021-22) (13')
Cold Night Snow (2015) for two concert glockenspiels (11’)
Splectra (2014/15) for harp with live processing (MaxMSP) (15’)
Updraft (2010/13) for tenor trombone and fixed media (10’)
River's Bend (2011) for flute duo (7’)
Brown Velvet (2009) for solo bassoon and Max/MSP
Sonatina, “The Dance of Sound and Space” for violin (or flute) and piano (2006) (8’)
A Clean Sweep (2005) for shakuhachi and Max/MSP (13’)
Shake the Tree (2004-05) for piano four-hands (20’)
Excavating the Perfect Farewell (2003) for viola and piano (18’)
Blessing for Two (2002) for violin and vibraphone (5’) [from Four Occasions]
Gideon’s Lullabye (2002) for two muted trumpets (4’) [from Four Occasions]
In Flight Together (2001) for violin and organ (5’)
Written on Wood (2000) for percussion and piano (8’)
Violin Sonata No. 2, “Angel Skating” (1999) (25’)
Yearning (1997) for oboe with live electronics and tape (19')
Die Berliner Hornisse (1995) for alto saxophone and piano (10')
An Intimate Field (1991) for cello and piano (9')
Birds and Flowers (1990) for flute and piano (7')
Magic Act (1988) for violin and marimba (10')
Surge (1987) for contrabass and piano (9')
Roundabout (1985) for contrabass and computer-generated tape (7')
Celestial Fragments (Violin Sonata No.1) (1980) for violin and piano (15')
Shadow Box (1978) for clarinet and piano (11')
Solo Piano
A Gift...and an Invitation (2018) (3')
What's Underfoot (2016) (15')
Piano Sonata No.3, "Clouds of Clarification" (2014) for digitally retunable piano (17’)
Thirteen: Bagatelles After Wallace Stevens (2012) for pianist/narrator (15’)
Blues Box (2003) (3’)
From the Ground Up (2002) (3’) [from Four Occasions]
Braided Bagatelles (2001) (17’)
Car Radio Rant (2001) for left-handed talking pianist (3’)
Piano Sonata No.2, “The Big Room” (1999) (25’)
The Big Room for piano (1993) (13')
Nach[t(raum)] ist Kommen (1989) for piano (3')
Swing Shift (1988) for piano (4')*
Ritratto dei Giorni e delle Notti su Lago di Como (1987) for piano and environmental sounds on tape (11')
From Him to Me (1987) for piano (7')
Warm Waxing Wail (1986) for singer/pianist (10')
Spiral Dances (1984) for piano (20')
Solo instrument (other than piano)
Bird Escapes Cage; Takes Flight (1998) for solo clarinet in A (1')
Garland (1981) for solo and duo celli (8',4') [also in version for electric cello and video]
Towards the Crest (1981) for bass clarinet (9')
Forms of Floating (1979) for solo flute (8')